Éliane Excoffier lives and works in Sutton (Qc, Canada). A graduate from the Université de Montréal with a degree in Fine Arts and Art History, she practices professional photography since 1996.

Excoffier’s work is inspired by the culmination of two passions: the appeal of representing the female body, along with a genuine interest in the application of photographic techniques, history and tradition. For her photography is based on the exploration of unusual or even archaic avenues and the darkroom is still its principal place of creation.

Her works are designated among several private and public collections, both nationally and internationally.

She is represented by the Simon Blais Gallery in Montreal.

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Press and Media

Delgado, Jérôme, Du numérique en chambre noire, Le Devoir, June 6th 2015
Nadeau, Jean-François, Excoffier, bilan et élan, Photo Solution, Fall 2011, vol 4, no.5
Charbonneau, Diane, Mystères de la chambre noire, «M» La revue du MBAM, 09 – Fall 2009
Cornett, Norman F., Éliane Excoffier « Kiev », CV ciel variable #80, Fall 2008 – Winter 2009
Rannou, Pierre, Éliane Excoffier « Kiev », Esse arts+opinions, Spring-Summer 2008
Delgado, Jérôme, Une mise en scène appelée caméra, Le Devoir, March 22nd 2008
Mavrikakis, Nicolas, Éliane Excoffier, Voir, March 20th 2008
Viau, René, L’érotisme au féminin, La Presse, March 15th 2008
Roy, François, Le fil d’Éliane, Plaisirs de Vivre, September 2007, volume 18, no 4
Excoffier, Éliane, Obscures (série no2), exhibition essay for VU Photographic Center, 2006
Hellman, Michel, Donner corps à l’évanescence, Le Devoir, April 17 2004
Delgado, Jérôme, Exercice de lumière, La Presse, April 11 2004
Lamarche, Bernard, Hanter d’anciennes images, exhibition essay for Obscures, 2004
Roumanès, Jacques-Bernard, Le mystère de la chambre noire, Vie des arts, no. 192, Fall 2003
Lamarche, Bernard, Chroniques de l’intime, Le Devoir, October 2nd 1999
Desrochers, Christine, Moments de « beauté convulsive » exhibition essay for Petit lexique de beauté, 1999
Roche, Henri, Le monde du Silence, ReVue, volume II, no.2, February 1997